Highgate Hill Residence, architect Richard Kirk, who is in the south of the gorge near one of the oldest streets of Brisbane Ridgeline - Dornoch Terrace. Slope of the rectangular site has resulted in a lush and mature landscape consisting of domestic and exotic, which has created the opportunity to set a house full of an idyllic landscape.
To celebrate the transition from inside to outside walls facing east and north through the fully open set of stacking wooden glass sliding panels.
The rectangular shape of the house is on three levels with the central level contains the living and dining rooms and services for the entry point from the road. The upper level includes all the rooms and the void, which is located above the dining room. The lower level has a bedroom and a media room. Vacuum inside the house not only the regional leadership of the device, and reduce the vertical division of the tall trees outside, but also separate bedrooms children and parents. The stage is an important reference for the element inter-organizational and elaborate sculpture that turns slightly to allow the form to cancel a visually connect all levels.
In response to the overwhelming landscape, the house is entirely clad in wood and use wood glazed façade systems in which each species was selected in response to the direction and time.
Highgate Hill Residence, architect Richard Kirk, who is in the south of the gorge near one of the oldest streets of Brisbane Ridgeline - Dornoch Terrace. Slope of the rectangular site has resulted in a lush and mature landscape consisting of domestic and exotic, which has created the opportunity to set a house full of an idyllic landscape.
To the north and east, encompassing the standard of living of the landscape as the top level, hovering above the ground like a protective canopy. In areas where construction is more intimate, are the materials and fine details and aware diminutive. Fine vertical wood members of top-level screen of the building to the street is a public face with a veil of wooden screens, which act as a series of layers placed on the volume of the building. The upper level of the north wall has a glass facade vertical braces of wood or sticks that opens within the landscape and the light filtered through the north are the trees. To integrate the landscape with the living room on the middle level, the external openings are of considerable size, so that the bottom plate opens up internal space outside, which consists of a series of platforms ground planes built floating decks or peat.
To celebrate the transition from inside to outside walls facing east and north through the fully open set of stacking wooden glass sliding panels.
In response to the overwhelming landscape, the house is entirely clad in wood and use wood glazed façade systems in which each species was selected in response to the direction and time.
The south and west facades to reveal the height of the building and engage in more distant views are monumental and respond to distant views.
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